There is a synergistic simplicity emanating from your duo that is at times humorous and at other times touching. Actor and musician, he delivers lines and deconstructs the original soundtrack of the iconic “Eye of the Tiger” throughout the play. He is a very caring guide who always listens. In theatre as well as in cinema, Fabien is a diligent observer of what moves the actor’s spirit. Fabien had always imagined me as an action film heroine and Lise, the play’s character, is in perpetual motion, in combat, like Rocky. It was a challenge for us coming from the film industry and we had to go through various stages of developing the show before arriving at its final form. I firmly believe in the simplicity of theatre, where words create the image. We had to trust each other, without relying on projected images. It was his first foray into live theatre. How did this new collaboration and the co-creation of this work come about? Is Fabien Gorgeart’s method of directing different when working in film and theatre?Ĭlotilde Hesme: Fabien and I had a great desire to work together again and especially to collaborate on a theatrical piece. With this piece you reunite with director Fabien Gorgeart with whom you previously collaborated on the short film Un chien de ma chienne (2012) and the feature film Diane a les épaules (2017).
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